Step into a visual narrative where each piece invites you to experience stories, emotions, and perspectives beyond the surface
Discover works that blend humor, social critique, and cultural identity
1995
Judul
Dies Natalis Indonesian Art Institute
Indonesian Art Institute (ISI) Yogyakarta, 1995
This exhibition represents an early stage in the artistic development of I Nyoman Masriadi during his time at Institut Seni Indonesia Yogyakarta.
The works demonstrate an initial exploration of expressive figuration and composition, marking the beginning of his departure from traditional visual conventions and the foundation of his later visual language.
1998
Sanggar Dewata Indonesia Exhibition
Benteng Vredeburg, Yogyakarta, 1998
This exhibition represents a key moment in the development of I Nyoman Masriadi’s visual language, where his figurative style becomes more defined and narrative-driven.
The works begin to introduce elements of humor, exaggeration, and social commentary, marking the early formation of his distinctive artistic identity.
2001
Judul
Museum of Modern Art Exhibition
Moscow, Russia, 2001
This exhibition marks a turning point in I Nyoman Masriadi’s practice as his figurative language becomes more defined and assertive.
Bold, exaggerated bodies and narrative scenes reflect a growing clarity in form, composition, and visual storytelling, signaling his emergence on an international stage.
2002
Judul
Group Exhibitions
Magelang & Jakarta, 2002
Across exhibitions such as Not Just Political, Terumbu Karang, and Age-hibition, Masriadi’s bold figurative style becomes more defined, with stronger narrative and satirical elements.
2003
Transitional Works
Yogyakarta, circa 2003
Works from this period show a growing focus on the body and interaction, where figures begin to carry tension, gesture, and subtle narrative. Scenes feel more structured yet still exploratory, reflecting a shift toward a more defined visual language.
2004
Equatorial Heat: Indonesian Painters
Sichuan Museum, China, 2004
In this exhibition, I Nyoman Masriadi’s works emphasize the human figure within staged and emotionally charged scenes.
The paintings explore themes of desire, intimacy, and identity through stylized bodies and controlled compositions, marking a shift toward clearer narrative and psychological presence.
2005
Beauty and Terror
Galerie Loft, Paris, 2005
In this exhibition, I Nyoman Masriadi explores the tension between allure and intensity through highly stylized figures and saturated color.
The works juxtapose sensual, vibrant imagery with his signature muscular forms, creating a visual contrast that is both playful and unsettling, reflecting themes of desire, perception, and constructed identity.
2006
Expression of an Era
Garis Art Gallery, Bali, 2006
In this exhibition, I Nyoman Masriadi refines his iconic black figures into more focused and introspective forms.
Set against minimal backgrounds, the works emphasize gesture, gaze, and bodily presence, shifting attention from narrative complexity to psychological tension. Subtle details and restrained compositions reflect a deeper exploration of identity and human condition within a contemporary context.
2007
Pre-Breakthrough Works
Yogyakarta, circa 2007
This period marks a pivotal moment in I Nyoman Masriadi’s practice, as his works gain wider attention and begin to enter the international market.
The paintings present stronger, more confident figures placed in bold and often confrontational scenarios, combining physical dominance with satire and social tension, signaling the emergence of his signature visual identity.
2008
Black Is My Last Weapon
Singapore Art Museum, 2008
This exhibition marks I Nyoman Masriadi’s first major solo show, presenting over a decade of works that define his signature visual language.
Bold black figures, charged with humor and tension, reflect his sharp observations of society, identity, and the art world itself, establishing him as a leading voice in contemporary Southeast Asian art
2009
Selected Exhibitions
Surabaya, Yogyakarta, Taipei, 2009
Including In Rainbow (Esa Sampoerna Art House), Jogja Biennale X, and The Simple Art of Parody (MoCA Taipei), this period highlights I Nyoman Masriadi’s increasing engagement with narrative, parody, and popular imagery.
The works combine his signature figures with sharper social commentary, introducing humor, text, and cultural references that expand his visual language into more direct and critical storytelling.
2010
Selected Exhibitions
Paris, Shanghai, Miami, 2010
Presented at Art Paris + Guests, New Directions (Museum of Contemporary Art Shanghai), and Art Basel Miami, this period reflects I Nyoman Masriadi’s expanding international presence.
His works become more dynamic and situational, combining bold figures with everyday scenarios, humor, and sharper social observation, further strengthening his narrative-driven approach.
2011
Art Stage
Gajah Gallery, Singapore, 2011
In this presentation, I Nyoman Masriadi expands his visual language through stronger symbolic elements and dramatic contrasts.
Figures appear more iconic and theatrical, often placed in heightened scenarios that suggest conflict, power, and transformation, pushing his narrative approach toward a more metaphorical direction.
2012
Contemporary Indonesia
Ben Brown Fine Arts, London, 2012
In this exhibition, I Nyoman Masriadi presents works that sharpen his use of narrative and text as tools for social commentary.
Through direct scenes and expressive figures, the works reflect themes of ego, competition, and identity, often delivered with humor and subtle irony.
2013
International Art Fairs
Singapore & Hong Kong, 2013
Presented at Art Stage Singapore and Art Basel Hong Kong, I Nyoman Masriadi’s works reflect a mature phase of his practice on the global stage.
The paintings combine bold figurative presence with sharper satire and contemporary references, often incorporating text, humor, and cultural commentary to address identity, technology, and social behavior.
2014
International Exhibitions
Hong Kong & Shanghai, 2014
Presented again at Art Basel Hong Kong, I Nyoman Masriadi’s works reflect a fully mature practice, where bold figures embody roles of authority, identity, and social behavior.
Through direct, character-driven scenes, his paintings sharpen their satirical tone, offering clear and immediate commentary on contemporary life.
2015
Art Stage Singapore & Group Exhibitions
Singapore & International, 2015
Presented at Art Stage Singapore and various group exhibitions, this period reflects I Nyoman Masriadi’s continued presence on the international stage ahead of his major solo exhibition in New York.
His works emphasize bold, character-driven figures placed in direct and often humorous situations, exploring power, ego, and social interaction with increasing clarity and confidence.
2017
ARTJOG 10: Changing Perspective
Presented at ARTJOG 10, I Nyoman Masriadi’s works reflect a continued exploration of his iconic figures within more varied formats and contexts.
The works emphasize character, gesture, and symbolic presence, balancing humor, strength, and introspection while expanding his practice beyond traditional painting.
2019
International Exhibitions
Singapore, Taipei, Jakarta, 2019
Presented in exhibitions such as Fabulous Monsters (ArtScience Museum), RIPPLES (Taipei Dangdai), and Art Jakarta, I Nyoman Masriadi’s works reflect a fully established practice within global contemporary art.
His paintings combine iconic figures with sharper humor and social observation, often exploring competition, ego, and collective behavior through dynamic and theatrical scenes.
2020
Judul
ARTJOG: Resilience
Yogyakarta, 2020
Presented during the pandemic, I Nyoman Masriadi’s works respond to global uncertainty through satire and symbolic figures.
His iconic characters adapt to contemporary realities, reflecting fear, control, and survival, while maintaining humor as a form of critical distance.
